Warner Bros.’ Current PR issues with shine Star Ezra Miller—aka “PR Problem No. 834 Warner Bros. Discovery at the Moment”—may have reached a certain level of détente Eventually. Per THRMiller (the subject of lawsuits and reports of alleged criminal behavior over the years with clown-level verisimilitude), It is reported that the studio officials have met This week, Michael De Luca and Pamela Abdi are promising their latest take A promise to seek help for mental health problems (and, thus, potentially, create less bad buzz for the film because of them) Seriously
therefore THR Notes, meeting, which also featured Miller Agent, Scott Metzger, happened to be the same day One of them Batgirl Funeral screening The producers of that discontinued film have occupied the Warner Bros. lot; Many people Double standards have been pointed out in the way That The film has been killed for more reasons than being a handy one Tax write offSo while Miller’s film is being kept alive at all costs, the number of headlines featuring his name is increasing.
The issues surrounding Miller are as varied and strange, to be sure, as they have taken up with increasing volume And a disturbing series of accusations and counter-accusations. What is not abstract, however, This is the effect on everyone’s perception shineThe film — a key part of Warner’s ongoing effort to reintegrate its superhero franchise into a coherent core — raises serious questions about whether it will hold true to its June 23, 2023 release date.
Miller issued a public apology in mid-AugustWith a pledge to work on his mental health in an effort to reduce the number of “Ezra Miller small island state terrorist” headlines that have been flooding the internet of late. The actor (who, according to an anonymous source, likes to play The Flash, and don’t want to miss the part) probably said to De Luca and Abdi, who recently moved on from MGM to the newly assembled Warner Bros. Discovery. The film itself is in post-production; Warner Bros. Discovery CEO David Zaslav said he had seen a cut of the film, which had a $200 million budget, and was pleased with the results.