“You and I both know the reasons for my exit,” LaBeouf told director Wilde, claiming he left the film due to insufficient rehearsal time.

Shia LaBeouf is claiming he quit “Don’t Worry Darling” after director Olivia Wilde said he was fired from the production.

Following Wilde’s opening Variety cover story about LaBeouf’s recasting and Harry Styles taking the role, LaBeouf wrote an email to the “Booksmart” director to address her “narrative” of events. LaBeouf shared a text message exchange with IndieWire along with a letter and a personal video sent from Wild to LaBeouf during production in 2020. LaBeouf has claimed that he left the film due to insufficient rehearsal time.

“What inspired this email today is your latest Variety story,” LaBeouf wrote to Wild in part. “I am greatly honored by your words about my work; Thanks, great read. However, I’m a bit confused about the story that got me fired. Both you and I know the reasons for my exit. I left your film because your actors and I did not get time to rehearse. I’ve included screenshots of our text exchange that day and my text to Tobey as a reminder [Emmerich].”

LaBeouf added, “I know you’re starting your press run for DWD and news of my firing is attractive clickbait, because I’m still persona-non-grata and may be for the rest of my life.”

LaBeouf listed his exit date as August 17, 2020. The “Honey Boy” actor also shared that he has now been sober for 627 days and felt the need to reflect on Wilde’s current statements about what happened two years ago.

“I’ve never been shot at, Olivia. And I completely understand the appeal of pushing that story because of the current social landscape, which brings social currency, that’s not true,” LaBeouf said. “So I humbly ask that, as someone who cares about getting things right, you correct the narrative as best you can. I hope none of this affects you negatively and your film succeeds in all the ways you want it to.”

LaBeouf did not respond to IndieWire’s request for further comment, and representatives for Wilde declined to comment.

LaBeouf attached screenshots of alleged texts from Wilde during production. Wilde sent this message to LaBeouf the night before he officially resigned from the production: “Thank you for including me in your thought process. I know it’s not fun. It doesn’t feel good to say no to anyone, and I respect your honesty,” Wilde wrote. “I’m proud that you were willing to go there with me, to share a story with you. I’m disappointed because it could have been something special. I want to explain how much it means to me that you believe in me. It is a gift I will take with me.”

LaBeouf also aired a video that Wilde sent him while driving, saying that LaBeouf’s threatening exit could be “a bit of a wake-up call for Miss Flo”, referring to lead star Florence Pugh.

“I feel like I’m not ready to let go of this yet, and I’m also heartbroken and I want to figure it out,” Wilde says in the video. “You know, I think this might be a bit of a wake-up call for Miss Flo, and I want to know if you’re willing to give it a shot with me, with us. If she’s really committed, if she puts her mind and heart into it at this point, and you can make peace – and I respect your point of view, I respect hers – but if you can do it, what do you think? ? Is there hope? Will you let me know?”

In another text message sent between August 16 and August 20, 2020, Wilde told LaBeouf, “You don’t have to be in my movies but never doubt me. We pinky promised. So there’s something in my house.”

Wilde recently told Variety that she is still “such an admirer” of LaBeouf’s work but that “his process was not conducive to the ethos that I demand in my production. He has a process that in some ways requires combative energy, and I personally don’t believe that’s conducive to the best performance.” .”

“A lot came to light after it happened that really bothered me, in terms of his behavior,” Wilde continued. For our film, we really wanted an energy that was incredibly supportive. Especially with a film like this, I knew I was going to be asking Florence to be in a very vulnerable situation and my priority was to make her feel safe and feel supported.”

She concludes, “I believe that creating a safe, trusting environment is the best way to motivate people to do their best work. Ultimately, my responsibility is to the production and the artists to protect them. That was my job.”

Read LaBeouf’s full August 24 email to Wilde:

olivia,

I hope it leaves you feeling inspired, purposeful, fulfilled and good. I pray every night for you and your family health, happiness and all that God will give me. No joke, every night before bed.

I have a little daughter, Isabel; She is five months old and the last half of her smile is starting to develop; This is amazing. Mia, my wife and I have found each other again and are on our way to a healthy family with love and mutual respect.

I have embarked on a journey that feels redemptive and righteous (dirty word but appropriate). I write to you now with 627 days of patience and a moral compass that never existed before my great humility that was the last year and a quarter of my life. I contacted you a few months ago to make amends; And I still pray that one day, you can find room in your heart to forgive me for the failed collaboration we shared.

What inspired this email today was your latest Variety story. I am greatly honored by your words about my work; Thanks, great read. However, I’m a bit confused about the story that got me fired. Both you and I know the reasons for my exit. I left your film because your actors and I did not get time to rehearse. I’ve included screenshots of our text exchange that day and my text to Tobey as a reminder.

I know you’re starting press runs for DWD and news of my firing is tempting clickbait, because I’m still persona-non-grata and may remain so for the rest of my life. But, when I talk about my daughter, I often think of the news articles she will read when she becomes literate. And though I am indebted, and shall be indebted for the rest of my life, I am indebted only for my actions.

My failures with Twigs are basic and real, but not the description they present. There is a time and a place to deal with such things and I am trying to navigate a delicate situation while respecting her and the truth, hence my silence. But this situation between your movie and my “Golibar” will never get a court date to face the facts. If lies are repeated among the masses, they become truths. And so, my behavior makes it very difficult for me to climb out of the hole I dug myself into, to be able to provide for my family.

I’ve never been shot at, Olivia. And I completely understand the appeal of pushing that story because of the current social landscape, the social currency that brings. That is not true. So I’m humbly asking, as someone who cares about getting things right, that you correct the story as best you can. I hope none of this affects you negatively and your film succeeds in all the ways you want it to.

Every blessing to you,

Shia

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