Shia LaBeouf has come forward with claims that he was fired from “Don’t Worry Darling” by director Olivia Wilde as production began in 2020.

LaBeouf asserted that he chose to leave the production because he did not think the cast was given enough time to rehearse. In the August 24 cover story DiversityWilde opened up about LaBeouf’s departure from her film for the first time.

“I say this as someone who is a great admirer of his work. His process was not conducive to the folk ethics I demanded in my productions. He has a process that seems to require combative energy in some ways and I personally don’t believe is conducive to best performance. I believe that creating a safe, trusting environment is the best way to motivate people to do their best work. Ultimately, my responsibility is to the production and the artists to protect them. That was my job,” Wilde said.

LaBeouf’s representatives declined DiversityA request for comment on the matter was made when contacted before publication of the story.

But in a sent email message Diversity On August 25, LaBeouf denied that he had been fired, instead claiming on August 17, 2020 that he “left the film due to lack of studio time”. The actor forwarded two emails sent to Wilde on the 24th and August. 25. In an email after the story was published, LaBeouf wrote, “You and I both know the reasons for my exit. I left your film because your cast and I did not get time to rehearse.”

Diversity Shia texted before learning what the immersive method entailed.

multiple studio sources said Diversity At the time of LaBeouf’s exit, he was fired from the project. But another source with knowledge of the situation describes the split as a collective recognition that LaBeouf’s acting style wasn’t a good fit for Wilde’s approach as a director. Representatives for Wilde and Warner Bros. declined to comment.

LaBeouf sent Diversity Screenshots of text messages he sent to Wilde in August 2020, where he told Wilde he had to back off from “Don’t Worry Darling”. He was cast as the lead actor Jack, who was later recast alongside Harry Styles.

According to the texts, LaBeouf and Wilde met in person in Los Angeles on August 16, 2020 to discuss their exit from the film. Later that night, Wilde texted him, “Thanks for letting me know your thought process. I know it’s not fun. It doesn’t feel good to say no to anyone and I respect your honesty. I’m honored that you were willing to go there with me, to tell you a story. I’m disappointed because it could have been something special. I want to explain how much it means to me that you believe in me. It is a gift I will take with me.”

LaBeouf claims he “officially” dropped “Don’t Worry Darling” on August 17, 2020, according to an email sent to Wilde on Thursday morning.

In this he included a video Diversity Wilde allegedly sent him on August 19, 2020, two days after he claimed. In the video, Wilde is driving the car and says she’s “not ready to give it up yet.” She also hints at the tension between LaBeouf and Florence Pugh, who in the film is the wife of Alice, LaBeouf and Stiles’ character Jack.

“I feel like I’m not ready to let it go yet, and I’m also heartbroken and I want to figure it out,” she says in the video. “You know, I think this might be a bit of a wake-up call for Miss Flo, and I want to know if you’re willing to give it a shot with me, with us. If she’s really committed, if she puts her mind and heart into it at this point, and you can make peace – and I respect your point of view, I respect hers – but if you can do it, what do you think? ? Is there hope? Will you let me know?”

In another message, sent at an unspecified time between August 16 and August 20, Wilde texted LaBeouf, “You don’t have to be in my movies but never doubt me. We pinky promised. So there’s something in my house.”

Here is the email LaBeouf sent to Wilde on Wednesday:


I hope it leaves you feeling inspired, purposeful, fulfilled and good. I pray every night for you and your family health, happiness and all that God will give me. No joke, every night before bed.

I have a little daughter, Isabel; She is five months old and the last half of her smile is starting to develop; This is amazing. Mia, my wife and I have found each other again and are on our way to a healthy family with love and mutual respect.

I have embarked on a journey that feels redemptive and righteous (dirty word but appropriate). I write to you now with 627 days of patience and a moral compass that never existed before my great humility that was the last year and a quarter of my life. I contacted you a few months ago to make amends; And I still pray that one day, you can find room in your heart to forgive me for the failed collaboration we shared.

What prompted this email today is your latest Diversity Story I am greatly honored by your words about my work; Thanks, great read. However, I’m a bit confused about the story that got me fired. Both you and I know the reasons for my exit. I left your film because your actors and I did not get time to rehearse. I’ve included screenshots of our text exchange that day and my text to Tobey as a reminder.

I know you’re starting press runs for DWD and news of my firing is tempting clickbait, because I’m still persona-non-grata and may remain so for the rest of my life. But, when I talk about my daughter, I often think of the news articles she will read when she becomes literate. And though I am indebted, and shall be indebted for the rest of my life, I am indebted only for my actions.

My failures with Twigs are basic and real, but not the description they present. There is a time and a place to deal with such things and I am trying to navigate a delicate situation while respecting her and the truth, hence my silence. But this situation between your movie and my “Golibar” will never get a court date to face the facts. If lies are repeated among the masses, they become truths. And so, my behavior makes it very difficult for me to climb out of the hole I dug myself into, to be able to provide for my family.

I’ve never been shot at, Olivia. And I completely understand the appeal of pushing that story because of the current social landscape, the social currency that brings. That is not true. So I’m humbly asking, as someone who cares about getting things right, that you correct the story as best you can. I hope none of this affects you negatively and your film succeeds in all the ways you want it to.

Every blessing to you,


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